smeraldina-rima.com Report : Visit Site


  • Server:Apache...
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    The main IP address: 46.30.213.36,Your server Denmark,Copenhagen ISP:One.com A/S  TLD:com CountryCode:DK

    The description :skip to content home info & distribution mailing list our releases alex monk “exchanging chairs” alex monk “kit mikaya” alex monk “the safety machine” blue shift “pressure corner” boy+girl “cavity...

    This report updates in 09-Sep-2018

Created Date:2009-06-30
Changed Date:2017-06-06

Technical data of the smeraldina-rima.com


Geo IP provides you such as latitude, longitude and ISP (Internet Service Provider) etc. informations. Our GeoIP service found where is host smeraldina-rima.com. Currently, hosted in Denmark and its service provider is One.com A/S .

Latitude: 55.675941467285
Longitude: 12.565529823303
Country: Denmark (DK)
City: Copenhagen
Region: Hovedstaden
ISP: One.com A/S

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HTTP Header Analysis


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DNS

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HtmlToText

skip to content home info & distribution mailing list our releases alex monk “exchanging chairs” alex monk “kit mikaya” alex monk “the safety machine” blue shift “pressure corner” boy+girl “cavity orbit sword” colby nathan as hyena “commyn straet” don’t move, play dead “live at the george 2nd pub” extra sexes “spiral mirror” hyena “outside, the great drought” jewell.radding.wooley “rift” joachim badenhorst “the jungle he told me” jonas ruchenhever “maze/haze” nate wooley “trumpet / amplifier” panicsville “a dragonfly for each corpse” peeesseye & talibam! relay i: jack allett / kalbakken robbie basho “twilight peaks” ryan garbes “unbreakable flower” spirit of the positive wind steven h “ik, steven h” print & design second family band, good blood lp sleeve (alt.vinyl) store checkout transaction results your account ← older posts out now: éric normand & jim denley “plant” lp posted on march 26, 2018 by levi smeraldina-rima proudly presents éric normand & jim denley plant lp smeraldina-rima 26 € 25.00 screen printed eight-colour edition of 300 hand-numbered copies. edition comes packed in inner cardboard disco sleeve, high-quality 400gsm open screen printed sleeve, and heavy outer screen printed pvc sleeve. available on our bandcamp page , or in our webstore . working the sweet spot where noise communication decisively rubs up against textural experimentation are the verdant improvisations that make up plant , the new lp from rimouski-based electric bassist éric normand and australian alto saxophonist and bass flautist jim denley. don’t be fooled by the title, though. nothing here is the aural equivalent of a pastoral landscape painting. the timbres are undoubtedly post-industrial, with agrarian echoes replaced by the drone and clang of pseudo-machines. this is first noticeable on side a, in which tremolo patterning from normand’s instrument quickly approximates the flowing consistency of an assembly line, albeit with enough discordant crackles and throbbing drones to make efficiency experts cringe. like a factory safety rep attempting to regularise excess, denley’s controlled circular breathing and capricious mouth-and-tongue motions cut through hints of grinding monotony to reach a climax of literal whistle-blowing in the penultimate minutes. from that point on, like appropriate material injected into a mould, denley’s reed bites and split tones mute normand’s repetitive string flanges for an exciting vibrating finale. slightly longer, side b adds the textures from juddering string strokes and wood whaps to solid whistling and buzzing, figuratively appending processing and granular synthesis to stretch the interface still further. the result suggests contorted signals from outer space have been injected into this earth-bound mix of hiss and harmonies. additionally, distinctive vocal mumbles and string thumb tapping from the bassist and upper register trills from the saxophonist confirm the terrestrial location of the improvisations —or at least the musicians— with low-pitched puffs pushed from the flute defining the ending. plant may preserve an unconventional duet, but musical skill, daring and instrumental command make it as alluring as any well kept garden. —ken waxman— éric normand: electric bass, feedback and snare drum jim denley: wind instruments and vocals recorded at coop paradis, rimouski, québec, canada on april 18th 2013 mixed at kaloola, sydney, australia in july 2013 mastered by frederic alstadt at ångström mastering music includes recordings made at the bonds clothing factory, cessnock, australia by jim denley on november 20th 2009 artwork and design by marnix everaert screen printing by levi seeldraeyers at smeraldina-rima this is a co-release of smeraldina-rima, ghent, belgium and tour de bras, rimouski, québec, canada limited to 300 copies. distribution: cargo records uk www.smeraldina-rima.com www.tourdebras.com smeraldina-rima.bandcamp.com facebook.com/smeraldinarima smeraldina-rima.tumblr.com posted in smeraldina-rima releases leave a comment out now: daniel levin “living” (lp/cd/dd) posted on september 21, 2017 by levi daniel levin living lp 25 €/cd 15 €/dd 10 € smeraldina-rima 32 limited edition of 300 lps and 500 cds. cover screen printed on high-quality stock, and housed in a screen printed heavy outer pvc sleeve. cd version comes in 5 varieties, all combining into one whole work. album available on our bandcamp page or in our webshop . solo cello investigations from one of the instrument’s most brilliant contemporary practitioners. (the wire) one of the outstanding cellists working in the vanguard arena. (all about jazz) the man to watch. (penguin guide to jazz) cellist daniel levin redefines his approach to solo improvising. on his second solo album, living ( smeraldina-rima , 2017), cellist-composer daniel levin explores a unique creative and psychological environment. in creating it, levin explains, “i imagined that i had hiked deep into a forest, where nobody was around for a hundred miles, pitched a tent, and went to sleep. emerging from the tent the next morning, in complete solitude, i decided to make little ritual sculptures out of leaves, twigs, and rocks. make them and destroy them, and then make some more, little sculptures to please only myself.” it’s a radical departure from his previous unaccompanied music, documented on his 2011 clean feed cd, inner landscape . “not long after i started to improvise,” levin explains, “i became very interested in producing an entire set of original improvised music, using just the cello. this was incredibly daunting to me for a long time, and it took me until about 2009 to be able to somewhat consistently produce completely improvised solo material that i thought could stand on its own. at the time, i seemed to be unable to produce anything even approaching convincing solo music, unless i was in front of an audience. in order to make the music strong, i needed the excitement and fear and adrenaline that i felt when i was creating music in real time in a performance setting. this is how my solo music was produced and functioned for a while.” “then, about 3 years ago, a new concept for the solo music began to emerge,” levin continues. “this way of creating actually required that the live audience be taken out of the equation altogether. the trick for me in documenting this was to be able to establish and then really sustain that kind of creative and psychological space in the recording studio.” his new approach to solo playing produces an album of quiet intensity as he molds his vast vocabulary of sound into fascinating shapes that reveal surprises at every turn. living employs nearly every conceivable sound available using a cello. it exists along the full continuum of possible timbres, from scratches and scrapes with no identifiable pitch to lyrical bowed melodies. ideas appear as kinetic sculptures related to one another in intimate and varied ways, sometimes contrapuntally, sometimes through juxtaposition or opposition, either repeated or as isolated events. living is the soundtrack of a sonic sculptor at work alone in his workshop. daniel levin “invokes all manner of musics with prodigious skill: jazz, classical, improv, noise, vocal chorus. his technique is unquestioned and he revels in the physicality of the instrument,” according to the new york city jazz record . born in burlington, vermont, levin began playing the cello at the age of six. in 2001, he graduated with a degree in jazz studies from the new england conservatory of music and arrived on new york city jazz scene shortly thereafter. ed hazell noted upon release of levin’s first record as a leader, “cellist daniel levin is a major new voice on his instrument and in improvised music.” since then, daniel has continued to develop his own unique voice as a cellist, improviser, and composer. he has performed and/or recorded with billy bang , borah bergman , tim berne , anthony braxton , gerald clea

URL analysis for smeraldina-rima.com


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cargorecords.co.uk

Whois Information


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Domain Name: SMERALDINA-RIMA.COM
Registry Domain ID: 1560881167_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.ascio.com
Registrar URL: http://www.ascio.com
Updated Date: 2017-06-06T05:07:06Z
Creation Date: 2009-06-30T17:17:47Z
Registry Expiry Date: 2018-06-30T17:17:47Z
Registrar: Ascio Technologies, Inc. Danmark - Filial af Ascio technologies, Inc. USA
Registrar IANA ID: 106
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +442070159370
Domain Status: ok https://icann.org/epp#ok
Name Server: NS01.ONE.COM
Name Server: NS02.ONE.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2018-03-08T13:14:11Z <<<

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  REGISTRAR Ascio Technologies, Inc. Danmark - Filial af Ascio technologies, Inc. USA

SERVERS

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  TYPE domain

DOMAIN

  NAME smeraldina-rima.com

  CHANGED 2017-06-06

  CREATED 2009-06-30

STATUS
ok https://icann.org/epp#ok

NSERVER

  NS01.ONE.COM 195.206.121.10

  NS02.ONE.COM 195.206.121.138

  REGISTERED yes

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